Interested in booking? More info?
HP: +31 – (0)6 – 18707052
Email: renadisantoso0@gmail.com
About me I’m Indonesian by descent, but I have lived my entire life in Europe. I studied my Eastern roots and at the same time was brought up in local Western cultures (D, NL). My musical background spans Western classical (Sweelinck Conservatory Amsterdam), Javanese and Balinese gamelan, Indonesian folkmusic (Lagu Rakyat), Angklung, Sundanese music on zither (kecapi) and suling (bamboo flute), West-European Folk, Rock, Pop, Improvisation, experimental and Jazz.
In the past I collaborated with a.o. Pierre Courbois, Boi Akih/Monica Akihari, Mondriaan string quartet, Multifoon, Gending, Widosari, Theater Djempol, Keola Beamer, Han Bennink, Wieteke van Dort, Gerard Mosterd, Roscoe Mitchell (Art Ensemble of Chicago), Ernst Jansz (Doe Maar). I’m specially interested in cross-cultural and cross-platform/media projects, looking for that ‘added value’ in inclusive and confrontational modes of collaborations.
I composed, adapted and/or produced music on commissions for many groups, productions and organisations including Gong Tirta (2000 – 2025), Bangkirai X (2020-2024), Poppenspelmuseum (2020), Tong Tong Fair (2005 and 2020), Eté Parfait (2014 – 2021), The Mirror & The Mask (2019), Kalangkang (2013), Theater Djempol (2003 – 2011), Musik Nusantara festival (2006), Jakarta Street Band (2005 – 2006), Wereldkinderfestival (2003), Gerard Mosterd (‘Please let me see your face’ 2003), Angklung Santosa (2002 – 2003), Ubit Iskander (‘Dari Mana?’ 2002), Yeh Bersih (1999), aWás! (1995 – 1999), Multifoon (1998), Immortal Fit (1996), Tropenmuseum JR (1992), Made in Holland Korzo festival (1985). My improvisational skills were honed in bands like Aorta (1982 – 1999) and Kieselguhr (1978 – 2003).
On this site are brought together my albums and current bands which – despite huge differences – all have one thing in common: the fact that they all fuse and mix genres. And for the most part Indonesian music (gamelan Bali/Jawa, Tembang Sunda, Keroncong, Lagu Rakyat) is one of the ingredients.
Currently active ensembles
Gong Tirta
Gong Tirta is no average gamelan group. Beside the original gamelan instruments like gongs, pemade, kantilan, reyong, suling and kendang, Gong Tirta’s basic line up also consists of instruments like guitar, bass, keyboards, violin, recorder, djembe, drums etc. All players switch instruments regularly during concerts which makes for a great variety of sounds, moods and instrumentation. Currently they play mostly original pieces composed by members of the group. Their inspiration ranges from traditional forms from Bali, Central Java and Sunda (West Java) to progrock, folk, mediaeval, jazz and pop. The central mission is to show the world that gamelan is fun and inspiration. We are keen to share the unique voice of gamelan in contemporary music. And we wish to draw in listeners who are not (yet) informed about gamelan, or who maybe have a one-sided idea about gamelan as being ‘difficult’ or ‘inaccessible’.
Our most well-known song is probably ‘Tales’, based on the poem ‘The Tale of Two Continents’ by the late Sitor Situmorang. Other well-known songs and pieces include ‘Feu du Feu’ (‘Vuur en Vuur’), ‘Freedom Bells’ (‘Merdeka Bellz’), Imprint (all composed by Renadi Santoso), Palindromes (Luiz Henrique Yudo), Trë (Jeroen Sep) and MeanderLust (Jessica Polak).
In 2022, new pieces include ‘ZapHooligan’ (Jeroen Sep), ‘Kacang Lupa’ (Jessica Polak) and ‘Stretch’ (Renadi) which were performed live in September at the first Tong Tong Fair after the Corona lockdowns. Gong Tirta also took on itself to perform live parts of the Bangkirai X magnum opus ‘Devachan Ascension’.
2025 witnessess a comeback of the old and unfinished Immortal Fit song ‘Silence Woke Up’, which was never published before. And the new centerpiece of the 2025 program ‘Op Vleugels van Brons’ is the haunting and hymnic ‘Ascension’, which finds its premiere at the Gamelanhuis concert 2nd of March 2025.
Gong Tirta also collaborated with director Mohammad Babazadeh from The Tropenmuseum Amsterdam for their music theatre piece for children. ‘Een Kikker in ’t Paleis?!’ is a musical fairytale for young and old, written by Jessica Polak. Versions in Dutch and German language were performed at Soeterijn (2013), RASA (2013), Volkenkundig Museum in Leiden (2018/2019) and at the international gamelanfestival Indonesia#Bronze.Bamboo.Beats in Munich (2018).
To date, Gong Tirta has released four albums.
The first CD ‘Tales of Two Continents’ (2011). To order, contact us please.
The second download only album ‘CrossWorX’ (2018) (listen on the downloadpage).
The third album ‘Sounds of Spring’ (2022) was released on CD as a limited special edition 25th anniversary Gamelanhuis production. It is available as download.
The fourth album ‘MADley ’24 (2024) is a miniCD with one long jam, starting with a Balinese prayer song on church organ and topped off by new, adventurous renditions of the classics ‘ZapHooligan’ and ‘Kacang Lupa’. Click here to download
Learn more on the history of Gong Tirta from traditional kebyar and baleganjur orchestra (starting in 1986) to modern fusion band on the Gamelanhuis site. Click here.
Bangkirai X
Despite all the urban legends Bangkirai X is no band but it’s just Me, Myself and I. In this musical project you can find the culmination of my personal experience in fusing gamelan with progrock. I play almost all instruments and my ambition is to sound like a band. A band which experiments with new forms and compositions, some of them given to Gong Tirta to play live and enrich the world of contemporary gamelan.
The albums ‘Dreams of Reality’ and ‘Every Day a Trance at Camp Corona’ are of course here on the Listen & Download page.
Kalangkang
Kalangkang is a small scale chamber music ensemble (two or three players). Main members of the group are Renadi Santoso and Jessica Polak. The instruments reveal the Sundanese (West Javanese) roots of their repertoire: kecapi (zither), suling (long, six-hole Bamboo flute). Mixed in are bonang (small melodic gong-kettles), kendang (two-sided hand drum) and classical guitar by third member Jeroen Sep and of course vocals, since it’s a song-orientated repertory.
The basic repertoire comes from West Java. With songs like ‘Pras Pris’, ‘Bandung’, ‘Es Lilin’ and of course ‘Kalangkang’ the ensemble conjures up a dream image of Sunda. Also songs from Central Java (‘Walang Kekek’, ‘Lesung jumengglung’, ‘Kangen’) are played. The musical style of the ensemble shows influences of Tembang Sunda, Degung Kawih and Tarling. A light sound, accessible melodies, serene moods. It evokes the gentle and elegant atmosphere of Sunda and works both as background music as well as concert style performance. In the presentation we can give explanation about the songs and the lyrics.
Kalangkang has released the album ‘Rambut Panjang’. Listen on the downloadpage.
Eté Parfait
Eté parfait is a duo consisting of Renadi Santoso (guitar, vocals) and Jessica Polak (flutes, vocals). Both have a strong background in folk and mediaeval/renaissance music, so that’s what’s on offer here. But as in the other groups mentioned on this page, they melt and mingle styles and give their very own touch to songs like ‘Het regende zeer’, ‘Sja Sjtil’, ‘Foggy Dew’ or ‘Tres Hermanicas’. Original compositions by the group in the same vein are also part of the repertoire. An interesting package would be Kalangkang and Eté Parfait combined, because of the comparable instrumental formats (strings, flutes and vocals).
Eté Parfait has released the album ‘Eté Parfait’. Listen on the downloadpage.
